Medieval Studies, Uncategorized, undergraduate news, Undergraduate Studies

Rita Orazi and Larissa Ross Present at the 2017 Hudson Valley Medieval and Early Modern Undergraduate Symposium

This past 25 February, Fordham students Larissa Ross and Rita Orazi presented at the 2017 Hudson Valley Medieval and Early Modern Undergraduate Symposium at the College of Mount Saint Vincent.

Larissa Ross (st right), Rita Orazi (at left)

Larissa Ross presented her paper, “Daughters of the King: Medieval Female Piety as Seen in Julian of Norwich and Constance in Chaucer’s Man of Law’s Tale.”  In her paper, Larissa looked to Julian of Norwich and Chaucer to explore late medieval conceptions of the metaphysical nature of women and of ideal female holiness.  Julian and Chaucer, contemporaries who influenced and were in turn influenced by the same cultures and ideologies, are rarely brought into conversation with each other.  Larissa placed Julian of Norwich, a renowned holy woman, into dialogue with Chaucer’s fictitious holy woman to see where both figures embody or toy with popular perceptions of what it meant to be a woman mystic considered holy.

                Larissa, who majors now in Medieval Studies, plans to continue her studies of late medieval female piety and its influence on religion, social environment, and literature.  She reflects upon her time working toward and during the conference as an invaluable chance for intellectual exchange that has aided her in expanding both her understanding of medieval studies and narratives and of how to approach them.

Rita Orazi delivered her paper, “Motivations for Crusading: Vengeance or Love?” which was an elaboration of a paper she wrote for Dr. Yeager’s “The Medieval Traveler” class.  Looking at the debate begun by Jonathan Riley-Smith and Susanna Throop over whether we can approach the act of crusading as one of love or of vengeance, Rita discussed revisionist interpretations and manipulations of history.  She emphasized the difficulty for modern audiences to understand the circumstances surrounding the Crusades and how problematic it can often be to relate the Crusades to modern conflicts in the Middle East now.

Rita, a History major minoring in Medieval Studies, also presented at the Symposium last year.  She said that, in comparison to the conference last year, this year was slightly more intimidating for the fact that the presenters were to present in panels before the entire assembled audience, rather than in smaller concurrent sessions.  However, because of this, this year’s Symposium had a livelier and more open-ended Q&A session after each panel.  While the prospect of presenting on something as wide and discipline-spanning as the Crusades was a bit daunting, Rita’s previous experience presenting and knowing that she was focusing on only on part of the discussion surrounding her subject material eased her mind and allowed her to focus all the more clearly.

The Center would like to congratulate Larissa and Rita for their presentations and would like to wish them well as they continue in their budding medievalist careers.

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Art History, Graduate Studies, Manuscript Studies, Medieval Studies

Medieval Studies MA Students Inducted to Jesuit Honors Society

On April 7th, Michael Weldon (MA, Medieval Studies) and Kevin Vogelaar (MA, Medieval Studies) were inducted to the Jesuit Honors Society Alpha Sigma Nu.  The organization, which emphasizes scholarship, loyalty, and service, selected Michael and Kevin for their exemplary commitment to the tenets of Jesuit learning.

Michael Weldon

During his time in Fordham’s Medieval Studies MA program, Michael has specialized in insular manuscript illumination, stained glass, and the relationship between these two artistic media. This semester, he is studying the late-medieval glazing program practiced at the Church of St. Peter Mancroft, Norwich, in a tutorial with Dr. Zachary Stewart of the Art History Department.  He is also delving into the labor-intensive, painstakingly precise, and malodorous medieval process for turning raw animal hides into parchment as an intern at Pergamena Leather and Parchment.  In the summer, Michael will participate in a month-long anthropological / archaeological field study of the early-14th-century Balintober Castle in Ireland, for which he was awarded a competitive Summer Fellowship from the Graduate School of Arts and Sciences.

Last fall, Michael took advantage of Dr. Hafner’s Manuscript Culture course to research the Harkness Gospels, a late-9th- / early-10th-century insular manuscript attributed to Abbey Landevennec, Brittany.  In his forthcoming MA thesis, Michael will expand upon this research, analyzing and deconstructing imagery in the Harkness Gospels to shed light on Abbey Landevennec’s scribal practices.  Michael’s approach to scribal practice at Landevennec is informed by his firsthand encounter with the Harkness Gospels manuscript, which is held in the New York Public Library.  Next spring, he will share a section of his thesis at the 2018 Manuscripta conference at St. Louis University.

Michael’s contributions to Fordham aren’t limited to his accomplishments within the Center for Medieval Studies; he joins us from Fordham Preparatory School where he serves as Fine Arts Chair and teaches studio art and architectural drawing.

Kevin Vogelaar

While at the Center for Medieval Studies, Kevin has focused on intellectual history, interfaith relations, pilgrimage texts, art history, and sound studies.  His forthcoming thesis will address the reception of Pseudo-Methodius’ late-7th-century Syriac Apocalypse in Western Europe between the 9th and 11th centuries.  He will argue that Pseudo-Methodius allowed for a greater assertion of human agency in apocalyptic thought than other writers such as Augustine, Tyconius, and Jerome.  Like Michael, Kevin plans to present at next year’s Manuscripta conference.  His presentation will analyze illumination and architectural decoration in the Syriac Peshitta Gospels (Morgan Library MS M.235) to suggest that these decorative elements display early ‘Abbasid artistic influence and reveal a Syriac Christian nostalgia for an earlier time of ‘Abbasid rule.

Kevin is an active contributor to The Venerable Blog and works in Walsh Library, where he splits his time between the Reference Desk and Archives and Special Collections.  In Archives, Kevin has facilitated manuscript workshops for classes taught by professors in the Center for Medieval Studies and several teaching PhD candidates.  He is creating a database of manuscript facsimiles held in the Archive; in addition to serving as a well-needed finding aid for the facsimiles, the database will also provide useful discussion questions and introductory bibliographies.  This promising digital project will make the many highly-realistic facsimiles in Archives more accessible to the Fordham community and will offer students a valuable resource to begin exploring manuscript studies.

In the future, Kevin plans to pursue library and museum sciences, curating exhibits and collections that can expand and promote interdisciplinary studies within the field of interfaith relations.

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Digital Humanities, Events, Medieval Studies, Vernacular Languages

37th Annual Conference of the Center for Medieval Studies: Part 2

The second half of the conference began with the second panel session focusing on Jews and Christians. Sarit Kattan Gribetz (Fordham) began the panel with her paper, “Jewish-Christian Polemics and the Challenges of Studying Them.” Gribetz presented that in Origen, John Chrysostom, and other Christian sources polemic against Jews was tied to specific times of the year and their concurrent festivals and celebrations.  During times beyond these festivals and seasons of celebration, specific polemic targeting certain practices would lose its impact, or would be devoid of its context. The same is true for Jewish polemic. Gribetz presented that, in the Toledot Yeshu, the defeat and execution of Yeshu is intentionally paralleled with the festival of Purim, a time of the year celebrating the defeat and execution of Haman. Gribetz noted the numerous parallels between the narrative of Yeshu’s defeat and that of Haman’s, one of which is the refusal of the trees to be used to hang the offenders. Purim, a time of remembering God granting victory to His people against their enemies who sought their total destruction, was a time of particular anti-Christian sentiment, and, by its association with the Toledot Yeshu, a time meant to look forward to the day when this newest enemy would be defeated in like kind. Just as Christian polemics were bound to certain times of the year to maximize their effectiveness, so too were Jewish polemics timed according to the festivals of the year to capitalize on seasonal sentiments. This allows us to come closer to understanding how Jews and Christians could be friendly neighbors and business partners one day and hostile the next.

The second speaker was Samantha Zacher (Cornell), who presented her paper, “Anglo-Saxon Maccabees: Political Theology in Ælfric’s Lives of the Saints.”  While Ælfric seems to have been generally averse to armed conflict, leading many to cast him as a pacifist now, he saw the Viking incursions as necessitating an armed response. Presenting the Anglo-Saxons as the new Maccabees in a struggle against the Viking’s new Antiochus, Ælfric described the Maccabees as the only figures from the Old Testament who exemplified the spirit of faith ushered into the world by Christ. The Maccabees broke the letter of the Law in order to act in accordance with the spirit of the Law, so Ælfric believed, making their faith of a purer kind for its not relying upon strictures and decrees. Accordingly, Zacher believes, Ælfric saw an armed resistance against the Vikings as keeping with the spirit of Christ’s peace, even if it did require bloodying swords.

The final roundtable of the conference focused on the broad and often misunderstood concept of popular religion. Popular religion is often not considered a part of the history of religious institutions or of famous movements. Indeed, popular religion, both in academia and beyond, is often presented as preserving some of the pagan beliefs of pre-Christian Europe, causing us to isolate it as a distinct, if amorphous, entity from orthodox or institutionalized practices. Louisa Burnham (Middlebury College) began the roundtable with a description of the place popular religion holds in modern scholarship and beyond. Burnham put forward that, looking at inquisitorial records, one can see a difference in practices between communities and individuals that were recognized at the time, but noted that these differences should not be taken as creating a definite distinction between “popular” and “educated” practices. Rather, these differences present us with varying “flavours” of Christian devotion. Merrill Kaplan (Ohio State) presented popular religion in an Old Norse context as essentially being the comparison of folk tales and stores. Saying that “people have always been clever,” Kaplan related that people hear stores and recognize them as stories for their having heard the same tale in a different place or in a different form. Popular religion, then, in Old Norse accounts is more a comparison of stories and a debate over their truth value. This can be done by the educated, or by the uneducated but reasonably well-traveled lay person.

Richard Kieckhefer (Northwestern) then spoke of popular religion in broader terms, seeking, as he put it, to “problematize the problemitization” of religion begun with Peter Brown and John Van Engen. Kieckhefer presented the difference between popular and elite culture to generally be not one of religion, but of expectation. Popular religion was cluttered with local traditions and stories, which often ran contrary to the reforming intentions of the clergy who usually came from outside the local community. This difference in expectation is defined by the local Christians’ tolerance for their own clutter and the reforming clergy’s intolerance for that same clutter to which they had no personal attachment. The last speaker of the conference, Ittai Weinryb (Bard Graduate Center), presented an art historical approach to questions of popular religion. Weinryb discussed votive offerings, and, in particular, iron oxen that were offered to St. Leonard, the devotional focus of the so-called “Iron Cult.” St. Leonard, a saint associated with prisoners, did not have terribly many relics that could be displayed, prompting the giving of votive offerings that could be used to physically denote Leonard’s presence in a particular church or place. Broken chains and shackles could be found hung on the walls of the church dedicated to him, given by those who had been miraculously freed of their bonds. Iron oxen would be donated to petition the saint for his continuing protection over the animals so many relied upon for their survival. These oxen were not given in gratitude for saved animals, but out of devotion and thanks for the protection assumed to already be granted to them. They reflected enduring faith, not a specific prayer answered.

The Center would like to thank the speakers for their excellent contributions in this celebration of Traditio and the effects of tradition on daily life. We would also like to thank the organizers and all those whose donations made this conference possible.

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Digital Humanities, Events, Medieval Studies, Vernacular Languages

37th Annual Conference of the Center for Medieval Studies: Part 1

This past 25 March, the Center held its 37th Annual Conference of the Center for Medieval Studies. This year’s conference, “The Generative Power of Tradition: A Celebration of Traditio, 75 Years,” explored both the power of tradition in producing new ideas and movements and the role and history of Traditio in the humanities.

This year’s conference was divided into two panel sessions and two roundtables, with Father Joseph T. Lienhard, S.J., beginning the conference with a brief history of Traditio’s origin, its current role in facilitating discourse in numerous disciplines in the humanities, and its future under both Fordham and Cambridge University Press.

The first session was dedicated to mysticism, with the current state of the discourse surrounding mystics and their written experiences forming the central focus of the presenters. Barbara Newman (Northwestern) began the panel with her paper, “New Seeds, New Harvest: Thirty Years of Tilling the Mystic Field.” Discussions of medieval mysticism were, prior to the Second Vatican Council, dominated by authors with some kind of tie to religious institutions or orders. These men and, very occasionally, women approached medieval mystic experiences with a particular eye toward their agreement with established orthodoxy. While these earlier discussions thoroughly traced genealogies of influence and, when the reader’s Latin comprehension was not assumed, provided exceptional translations of the source material, the discourse, dominated as it was by the same communities of scholars, fell into certain assumptions that prevented the discussion from expanding. Women mystics, for example, were only discussed if they were considered saints. After Vatican II and the explosion of interest in mystical experiences in the 1960s, the discourse began opening up to a wider body of scholars of more diverse disciplinary backgrounds. Mystics came to be understood through less a spiritualist lens and more through a material, bodily, and terrestrial one. In conclusion, Newman challenged medievalists to now explore mystics in relation to political roles. Saying that mystics strove for an otherworldly ideal while still remaining grounded in this world, Newman expressed her desire for medievalists now to look to mystic vernacular writings not as inferior to the well-worded Latin copies, but as attempts by mystics to reach out to a wider audience in more tangible ways.

Concluding the first session was Sara Poor (Princeton). Her paper, “From Author to Textual Construct: Changing Approaches to Female Mystics in the European Tradition,” explored how female mystics have been discussed in relation to the often contentious notion of authorship for the past few decades. Looking to Mechthild von Magdeburg as her prime example, Poor discussed how the role of author can be, and is often, denied medieval women. By denying the notion of an author, as we often do when considering medieval texts, we allow for reinterpretations of the persona of the author that eliminate the possibility of a female origin of a text. Some interpretations of Mechthild’s The Flowing Light of the Godhead relate that Mechthild was herself a textual construct: an invented author figure meant to facilitate a description of a mystic experience that would have been unwelcome if openly coming from a man. Poor related that, while we willingly contemplate such possibilities concerning the existence of female authors, we rarely seem to apply such critical reinterpretations to supposed male authors, revealing an incongruity that medievalists and scholars of mystic texts need to be made aware of.

After the first panel came a roundtable concerning editing medieval manuscripts in the digital age. The first speaker, William Noel (University of Pennsylvania), addressed rampant problems with the current methods of production and use of digitized manuscripts and source material. Such problems he brought up were the tendency for libraries and museums to make their digitized manuscripts look as nice as they can aesthetically, covering up valuable information in the process. Likewise, while Noel by no means intimated that individuals or institutions engaged in this kind of activity, there is a very real possibility that one could digitally alter an image to provide information it actually does not. Ultimately, Noel presented a general need for institutions to digitize their manuscripts, provide the digitized versions free of charge, and provide with them the metadata that proves their legitimacy and gives scholars the information needed to know what to do with them.

William Stoneman (Harvard) presented the uses and applications of the programs Jeffrey Witt (Loyola Maryland) is developing to make use of the versatile nature of digitized manuscripts and texts. Witt’s programs will allow for the digitizing of a manuscript’s text and the embedding of links within the text which will allow a user to click on a certain word and bring up a list of translations and explanations which could be provided by the user base itself. In effect, this program would allow for the creation of a potentially unlimited number of editions of digitized texts to be produced online while hybridizing the digitized text and edition into a single entity. Stoneman commented on Witt’s project, bringing up questions of sustainability, where the data behind these hundreds of crowd-sourced editions would be kept, and for how long.

The final speaker of the first roundtable was Raymond Clemens (Yale), who presented a program he had been employing for some time that seeks to lower the barrier for entry into paleography and text editing. His program, the Digital Platform of Textual Editing Projects, has graduate students working together in workshops on editing and digitizing manuscripts while being taught by other graduate students who are familiar with the software and methods needed to do so. This provides the teaching students with valuable experience in pedagogy while introducing the students participating in the workshops to digital editing and paleography in a minimal-stress environment.

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English Department, Events, Italian Literature, Medieval England, Medieval Studies, Vernacular Languages

Valentine’s Day Vernacular Poetry Reading

This past 14 February, the Medieval Studies Department hosted their first Valentine’s Day poetry reading. In the spirit of the day, all selections discussed, in some capacity, the nature of love and its effect on the human beings fortunate (or unfortunate) enough to find themselves in its throes. From the pure love of God to the often controversial love felt between human beings, the poems and songs performed provided a wide range of perspectives of a state of being infamous for its eluding a clear definition in any known language.
It is perhaps this very elusiveness that makes the performance of Mohammad Alsidi so apt as the first given of the evening. A masterful player of the Oud, a stringed instrument originating from Ur, Alsidi performed old Aleppan music often played during the day in Sufi circles while conversations and discussion of the scripture and current events were echoing through the courtyards. While the melodies Alsidi played could be accompanied by lyric or chant, he played the pieces as they were taught to him: without vocal accompaniment. Each pluck of a string composed a wordless prayer in praise to God, proclaiming love for Him. Having roots in the region around Aleppo that stretch back nearly two millennia, these melodies, in a myriad of different forms, can be heard wherever Aleppans have strode, from India to Venezuela. Alsidi, himself a native of the region around Aleppo, played these beautiful pieces with a bittersweet tone. These melodies, like so much of Aleppo and, indeed, much of Syria, are being lost in the civil war. These songs, and the hands that can play them and the voices that can sing them, are dying. Alsidi said that he plays in order to have these pieces still heard in the world, so that we might not deafen ourselves to what is being lost while it is still here to be recorded, preserved, and enjoyed.
The next poem was Guido Cavalcanti’s “Voi che per gli occhi mi passaste il core,” delivered by Dr. Susana Barsella. A friend of Dante, Guido presented love as beautiful and uplifting, but ultimately ending in a “language of sighs.” Dr. Emanuel Fiano recited St. Ephrem’s “Hymn III: On Paradise.” Dating to the fourth century, this Syriac piece discussed the choice given to Adam and Eve over whether or not to eat of the forbidden fruit. Needless to say, their story does not end on a happy note: a reasonably consistent theme of this Valentine’s Day celebration. Next was Father Martin Chase’s recitation of lausavisur from the Old Norse Kormáks Saga. Kormák’s Saga, a prose tale with occasional segments of Skaldic song, also presents us with a narrative filled with less Cupid floating through a tranquil grove and more facing the difficulties that come with loving another over a prolonged period of time, albeit under less then mundane circumstances. However, the segment Father Chase read was one toward the beginning of the tale, when the lovers meet for the first time: a happy affair in which Kormákr fell in love at the first sight of Steingerðr’s ankles and feet.
The final three poetic readings were given by Drs. Jocelyn Wogan-Brown, Susanne Hafner, and Andrew Albin. Saying that God might deserve a Valentine’s Day gift too, Dr. Wogan-Brown presented the Old French “Rossignos” of John of Howden. Dating to the 1270s, Dr. Wogan-Brown related that this piece was written in such a way that the audience was meant to participate in its recitation, and the poetic sophistication of the piece itself shows just how intricate and elegant the Old French of England is. Dr. Hafner read “Unter der linden,” by Walther von der Vogelveide. This poem was originally set to music, though the music has been lost. Of the “dawn song” genre, “Unter der linden” presents a woman, rather than a man, reflecting upon a night of shameless sensual indulgence with her lover after he had to flee the next morning. Utilizing a number of overt euphemisms, the poem intentionally walks the line between descent and indecent evocation of a night spent in ecstasy. On that note, Dr. Albin finished the evening with a spirited reading of Chaucer’s “The Parliament of Fowls,” carrying on the theme of love being suspended between fulfillment and denial. This parliament, consisting of numerous and diverse types of birds, eagerly awaiting their dismissal from the assembly so they could fly off with their lovers, undoubtedly reminded all present of the agony of having to fulfill an obligation while one’s true desire lay just within reach. Love may be fulfilling, but no one ever said it would be easy to endure.
The Centre would like to graciously thank all who participated in this inaugural Valentine’s Day poetry reading and those who attended and experienced examples of nearly every kind of human reaction to this eternally problematic notion of love. Here’s hoping we, as humans, never actually manage to figure it out.

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Manuscript Studies, Medieval Studies

Rebecca Bartels Recounts A Lecture Given by Consuelo Dutschke at Colombia University

On October 28th, students of Dr. Hafner’s Manuscript Culture class attended a lecture at the Butler Library in Columbia University in order to hear a private seminar from Consuelo Dutschke, curator of the Medieval and Renaissance rare book collections. The Rare Book Collections seminar room stood behind a secret door which at first glance looked like a wall. The Rare Books Collection has under its control a locus of incunabulum; namely books and documents printed from early Western Europe up until January 1, 1501.

Once we were all ensconced in the lecture room, Consuelo brought to our attention approximately twenty documents and books laid out over a long wooden table. “Keep an open mind,” Consuelo said as we leaned forward to survey the documents, “or you’ll never find what’s out there.” With these words in mind, we began to participate in an interactive lecture that involved answering questions, translating passages, and experiencing the privilege of holding the documents and books themselves.

Since manuscript scholars can’t rely on colophons or script types to give us the place, date, and author necessarily, we must rely on nuances within decoration and textual format to give us some context. Consuelo highlighted and demonstrated the importance of decoration as a way of localizing each book, in some cases identifyingdown to its very city of origin. Before even opening some of the texts, Consuelo described how the original book bindings hinted at a book’s region of origin. For instance, if a book had clasps (do you recall what it was about the clasps that made them specifically Italian? I think it had to do with their being closed toward the back of the book, but I’m not sure), it was likely to have been made in Italy. With Consuelo’s tutelage, we were enlightened on the uses of decoration and the history of the manuscripts and books.

Consuelo shared with us the importance of manuscript culture history. In 1953, French Paleographers created the CIPL (Comité International de PaléographieLatine), an establishment that aspired to solve a fundamental question about manuscript culture: how do we go about studying these manuscripts? Though the CIPLlost momentum, their work was not in vain. Today, the most used book on manuscript identity is Tuscany’s version of the CIPL, which includes a method of dating the documents by means of comparison and contrast. In the United States, Columbia works alongside UC Berkley to produce the Digital Scriptorium. The strengths of a digital database include the use of vibrant color, a vast library, and the ability to correct inaccurate cataloguing and classification information.

As for Columbia’s Plimpton Manuscript collection, Consuelo described why so many manuscripts were broken off in scrappy segments instead of being retained as whole books. George Plimpton, the founder of the Plimpton collection, bought a myriad of cheap little items from 1925 to 1965. One hypothesis as to why these manuscripts were sold folio by folio instead of by book was because of their cheapness. Consuelo offered another imposing hypothesis: that libraries often accept and recognize volumes of one work, having difficulty classifying and describing a book containing multiple works or texts. Due to this, many manuscripts have portions in several localities.

The class was certainly an enlightening one. Not only did we learn about manuscripts and documents by reading and holding them, but we learned about manuscript culture history and how conservationists and curators locate the time and place of the manuscript. In addition, Consuelo’s generosity and warmth culminated in an exciting and welcoming experience that shall not be forgotten. On behalf of the Centre of Medieval Studies, I wish to thank Consuelo Dutschke and Columbia University for hosing such an enlightening class, for it provided indelible inspiration towards our quests to study manuscript culture.

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Medieval Studies

Review: Fordham at the Annual Meeting of the Medieval Academy of America

What happens when several hundred medievalists from all different fields gather in one place for a weekend? The Medieval Academy of America meeting – dozens of fascinating panels and papers on a wide variety of topics.

The 2016 MAA meeting kicked off with a call for open data by Will Noel, of the Schoenberg Center for Manuscript Studies at the University of Pennsylvania. Treat digital images as primary sources in and of themselves, not simply surrogates of medieval manuscripts, he said. Call for more information, he exhorted the assembled medievalists, you demand access to the manuscripts, so demand access to metadata about their images!

In Noel’s view, data should be complete, sustainable, promiscuous, re-useable, and communal – and it’s hard to argue against his model, especially as it applies to newly created images and their use by researchers.

The afternoon panels included two contributions from Fordham medievalists: Professor Suzanne M. Yeager (English) presented “En route to Jerusalem: The Transformative Potential of the Medieval Mediterranean” and Lucy Barnhouse (History) presented “Disordered Women? The Hospital Sisters of Mainz and Their Thirteenth-Century Identities.” Both talks were well-attended and well-received.

Friday morning’s CARA Plenary on the Parameters of Premodern Magic discussed astrology, witchcraft, and the “slicing up” of medieval history into magical and non-magical bits, and the morning sessions that followed spurred active and fascinating discussion about disabilities in the medieval period over Twitter.

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Dr. Laura Morreale (Medieval Studies) presenting at the Annual Meeting of the Medieval Academy of America

Alongside more traditional “tracks” of panels on Carolingians, Monasticism and Lyric Transformations, the MAA meeting this year also included a track on Digital Humanities, which included papers by Laura Morreale (Medieval Studies) and David Wrisley (past Medieval Studies Fellow). Laura’s paper on the use of “Italy” as a place name in thirteenth and fourteenth-century chronicles spurred active discussion about understandings of place and national or regional identity.

Late panels included medieval-inspired poetry, digital humanities visualizations of the construction and reconstruction of Romanesque and Gothic churches, and a vibrant discussion of the “ghosts” of the nineteenth century, which, like the debates on disability studies, became a lively Twitter debate and exchange.

The banquet featured period music and traditional Boston foods, including baked beans and Boston Cream Pie.

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Dr. Nicholas Paul (Dept. of History) recieves the John Nicholas Brown Prize

On Saturday, I was delighted to see Dr. Nicholas Paul (History) received the John Nicholas Brown Prize for his book, To Follow In Their Footsteps.

 

Perhaps the most exciting part of Saturday, from a digital humanities perspective, however, was the interactive session chaired by William P. Stoneman, which brought together eight different projects, each of which gave a three-minute pitch and description, followed by the opportunity for the audience to discuss the projects with the makers, which was fascinating and allowed for vigorous discussion

Robin Fleming’s closing plenary, “Vanishing Plants, Animals, and Places: Britain’s Transformation from Roman to Medieval” was an intriguing look at the material evidence for dramatic shifts in diet, use of land, and the consequent changes in lifestyle that followed Rome’s departure from Britain. Among other things, we learned that strawberries were not eaten prior to the Roman’s arrival, and that apple trees are not native to Britain!

The closing reception at the Isabella Stewart Gardner Museum was a magical backdrop against which to talk with other medievalists, catch up with friends, and see a wide variety of artworks while wrapping up a fantastic conference.

While I was intially a bit daunted by the sheer number of impressive scholars at the MAA meeting, I am delighted to have been able to attend, and look forward to future meetings.

 

By Alisa Beer

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History Department, Manuscript Studies, Medieval England, Medieval Studies

Esther Liberman Cuenca Awarded Prestigious Schallek Fellowship

This post is cross-blogged from History at Fordham University

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Esther Liberman Cuenca, recipient of the Schallek Fellowship

Fordham History Department’s own Esther Liberman Cuenca was recently awarded the Schallek Fellowship, a one-year grant of $30,000 to support Ph.D. dissertation research in any relevant discipline (art history, literature, history, etc.) dealing with late medieval Britain (ca. 1350-1500). Not only is this a prestigious honor but it will allow Esther to conduct research critical to the completion of her dissertation.

Esther’s research focuses on the development and evolution of borough customary law in medieval Britain. Borough customs were practices or traditions that over time acquired the force of law within the town. Her analytical goals are twofold: to contribute to a deeper understanding of the place of urban customary law within the British legal system, and to reveal custom’s role in the emergence of a distinct bourgeois identity in medieval Britain. Borough customary law has received little scholarly attention because of its scattered distribution in many local and county archives; the need for multi-lingual expertise in Latin, Anglo-Norman French, and Middle English; and the difficulty of dating customary clauses and ordinances from multiple iterative copies.

SROI C/4/1/1, f. 9a: The table of contents for the French Ipswich custumal, contained in the codex they call the 'Black Domesday.'

SROI C/4/1/1, f. 9a: The table of contents for the French Ipswich custumal, contained in the codex they call the ‘Black Domesday.’

Since she reached ABD status at Fordham in 2012, Esther has been teaching multiple courses at Marymount California University and this fellowship will give her the opportunity to focus fully on completing her dissertation. She plans to spend the 2016-2017 year living in England where she can complete her research at the Bristol Record Office and London Metropolitan Archives. In 2013, Esther was also the recipient of the Schallek Award, which is a small grant of $2,000 to help students cover research expenses. “The Medieval Academy/Richard III Society have been very kind to me! And I’m very grateful that they’re supporting my research,” says Esther.

 

By Grace Healy

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Art History, Manuscript Studies, Medieval Studies, New York City

Bronx Doctor Donates Medieval Manuscript Facsimiles to Fordham

This post is cross-blogged from Fordham News.

The Très riches heures, a book of prayers commissioned for a French prince, is one of the most famous illuminated manuscripts of the 15th century. It contains dozens of images painted with rich pigments and embellished with gold. The original sits in the Musée Condé in Chantilly, France.

But thanks to a fine art facsimile of the historic tome in Fordham’s Walsh Library, students can flip through the lush pages and absorb a visual representation of medieval art and religion.

The Très riches heures facsimile is one of 300 books and objects donated to Fordham by Dr. James Leach, a New York physician who’s been curious about medieval manuscripts and liturgical books since he was young.

“When I was growing up, I had an interest in Latin and in the church,” said Leach, who heads the dermatology department at Lincoln Medical Center in the Bronx. “The prayer books I was familiar with were a springboard to begin looking at the older manuscripts.”

He began amassing a collection of fine art facsimiles of medieval manuscripts, which have been produced since around 1990, typically in limited-edition runs of 300 to 900 copies. He thought that Fordham, as a Catholic university with an established medieval studies program, would be the perfect repository for these works. Leach also donated a sizable collection of original Catholic prayer missals from the late-19th to early-20th centuries.

Nina Rowe, PhD, chair and associate professor of art history at Fordham, said the University is lucky to have such high-quality reproductions available for students.

“One can certainly lecture in the classroom about the technical aspects of luxury handmade books from the eighth to the 15th centuries in Europe,” Rowe said. “But with high-quality facsimiles, students can get a sense of the ways in which illuminated manuscripts were functional objects, designed to be viewed up close, leafed through, and carried.”

Rowe said the Très riches heures is one of the “greatest hits” of medieval art history. She also has a few other favorites among the collection.

“I’m delighted to be able to teach students from the facsimiles of the Lindisfarne Gospels, an English monastic manuscript made around the year 700 and renowned for its so-called Carpet Pages, full-page designs with intricate interlace, often in the form of the cross,” she said.

“Another favorite facsimile of mine reproduces a Moralized Bible (sometimes called the Saint Louis Bible) from Paris, 1226 to 1236. Every page features eight circles arranged in four pairs, each with little scenes linking a vignette from the Hebrew Bible to a Christian or contemporary commentary. The images are especially fun when they depict the perceived vices of early 13th-century Parisian life, evoking the real world of the street in a remote period.”

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Pages from the collection’s facsimile of a Moralized Bible (sometimes called the Saint Louis Bible)

Linda LoSchiavo, TMC ’72, director of the University libraries, said Leach’s contributions are an important addition to Fordham’s Special Collections.

“The facsimiles are an extraordinary example of medieval artistry,” she said. “They’re done with highly specialized devices, and the bindings are reproductions as well.”

The cover of a facsimile of the Sacramentary of Henry II, a liturgical manuscript from the late-10th to early-11th century, includes an intricate copy of the original’s ivory relief. Other facsimiles Leach has donated include theEton Choirbook and the Lorsch Gospels.

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The cover of a facsimile of the Sacramentary of Henry II, which features an intricate plastic copy of the original’s ivory relief

The recent establishment of Fordham’s Shvidler Chair in Judaic Studies, and the collection of Judaica being assembled by Magda Teter, PhD, the chair’s inaugural holder, prompted LoSchiavo to ask Leach if he would consider donating a a Haggadah, a book used during Passover seders. He was happy to oblige, and earlier this year donated a facsimile of the Barcelona Haggadah. The original dates to the middle of the 14th century.

Leach hopes his gifts will help Fordham students learn that art and illuminated manuscripts flourished during the medieval period, even though the era sometimes gets a bad rap.

“Most important is that they realize that ‘medieval’ is not purely a derogatory term,” he said. “It was an age of faith and artistic productivity that contributed to Western civilization.”

 

By Nicole Larosa

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English Department, Faculty News, Manuscript Studies, Medieval Studies, Vernacular Languages

Faculty Spotlight: Dr. Andrew Albin

Professor of English Andrew Albin has been awarded a dual appointment in English and Medieval Studies. This distinction recognizes Professor Albin’s scholarship in medieval aurality and literature and honors his contributions to Fordham’s Center for Medieval Studies as an instructor since 2012. He has published on Chaucer’s Prioress’s Tale, the Chester shepherd’s play, and the medieval mystic Richard Rolle. While at Fordham, he has taught courses on subjects and authors such as early English drama, medieval embodiment, Chaucer, the Pearl poet, and spiritual sensory experience.

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Professor Albin is on leave for the 2015­-2016 academic year to complete a senior fellowship at Yale University’s Institute for Sacred Music, an interdisciplinary center for music history, musicology, theology, music performance, and ministry. During his fellowship, he is translating Richard Rolle’s Melos Amoris, preserving the alliterative patterns and musical prosody of the original text. Not only will this be the first English translation of the Melos Amoris, but Professor Albin plans to supplement it with groundbreaking research on the marginalia and manuscript context of Rolle’s work to shed light on its reception history. Professor Albin has noted that one of the ten manuscript witnesses of the Melos Amoris was bound with a gathering of mid-­15th century sacred polyphonic music by three English composers. Professor Albin will include a recording, diplomatic edition, and analysis of this music in his forthcoming book and will examine the ways in which the link between medieval mysticism and music was perceived by 15th-­ and 16th-­century readers. His multimedia and intertextual presentation of the Melos Amoris will allow modern readers to get a sense of how Rolle’s text was experienced aurally and conversant with musical practice of the period.

 

By Katherine Briant

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