This past 21 April, Bernard College hosted the annual Interuniversity Doctoral Consortium Medieval Conference. Each year PhD students come from the various IUDC participant institutions to present some aspect of their research to their peers and professors. This exchange facilitates both a greater sense of community between the IUDC member institutions and gives PhD students on the verge of defending their dissertations a chance to receive valuable feedback from others of a myriad of disciplinary backgrounds. Students came to present from NYU, Columbia, Rutgers, Princeton, CUNY, SUNY Stony Brook, and Fordham. The two Fordham students presenting this year were Nathan Melson and Samantha Sabalis, Medieval Studies alumni and currently of the History and English departments, respectively. [Read on for more on Nathan and Samantha’s presentations and the IUDC consortium] Continue reading
This past 11 April, the Center for Medieval Studies hosted its annual “Compatible Careers” event. Each year, the Center asks alumni to share their experiences of finding jobs after their graduations that go beyond the traditional academic/tenure-tracked path. The perennial question for graduate students nearing their graduations is: “what next?” To study what you love is a joy, but the fact of the matter is that, eventually, one needs to realize what one wants to do for a living. This question haunts many a student at night, especially those who would elect a non-academic path. The purpose of this annual workshop is to show students that taking alternate paths is not only possible, but it may even result in finding a better fit for them. This year’s speakers represent a wide array of careers that show promise and reward the creative medievalist willing to look beyond the usual choices presented to them. [Read on for more about the 2017 Compatible Careers Workshop] Continue reading
David Pedersen is a PhD candidate in English and Medieval Studies at Fordham University. His dissertation, “Anxiously Pursuing Peace: Defining and Defending Christian Faith in Texts of Old English Reflective Wisdom,” explores the unique questions, preoccupations, and concerns that Anglo-Saxons brought to Christian faith when they engaged with Christianity in their own vernacular. David argues that these questions had a profound effect on the conception of Christianity that took root and flourished in Anglo-Saxon England, and that we must understand this effect in order to contextualize properly our view of Anglo-Saxon art and literature. David is scheduled to defend his dissertation in April of 2017.
David joined Fordham’s English PhD program in the fall of 2011 after completing an MA in medieval English literature at the University of York. Recognizing that his research and teaching interests are largely interdisciplinary, David quickly enrolled in the Medieval Studies Doctoral Certificate program. David has been consistently involved in the Centre for Medieval Studies ever since.
During his first two years in the program, David participated in Old English, Old Norse, and Ecclesiastical Latin reading groups while also completing his coursework and working as a tutor in the University’s writing centre and as a research assistant for Prof. Jocelyn Wogan-Browne. During his third year, he took over the Old English reading group as a co-organizer, a position he held for the next three years. In addition, David spent the 2015-2016 academic year developing teaching modules for two of the Centre’s digital initiatives: The Oxford Outremer and the French of Italy projects. For his work on these projects, David was invited to present at the Centre’s Annual Colloquium in April of 2016.
In addition to his work with the Centre, David has spent the past six years building his scholarly and pedagogical profile. He has been the instructed numerous courses at Fordham that range from introductory writing to a senior level capstone, and he has participated in training programs in the teaching of writing and in the teaching of the history of English. He has presented at numerous regional, national, and international conferences, most recently at the 42nd Annual Conference on Manuscript Studies at St. Louis University in October of 2016. David’s first article, “Wyrd þe Warnung…or God: The Question of Absolute Sovereignty in Solomon and Saturn II” was published last month in Studies in Philology, and his article “The Wife of Bath’s Deaf Ear and the Flawed Exegesis of St. Jerome” is currently under review at PMLA.
David has been given a teaching position at the College of the Ozarks in Missouri. While he and his family are sad to be preparing to leave New York City, which has been David and his wife, Katrina’s, home for more than a decade, they are also excited by the prospect of having a yard and maybe a car. David plans to turn his dissertation into a book and then to begin work on a second book-length project that explores the various ways that medieval histories employ the ancient Israelites as a trope that is ultimately used to legitimize a wide range of racial and nationalistic ideals.
We would like to thank David for his extraordinary contributions to the mission and vitality of the Centre and wish him well as he steps forth to make his mark in the field.
Original post by Professor Nicholas Paul from: http://history.blog.fordham.edu/?m=201608
The next postcard in our series about the summer wanderings and adventures of Fordham historians sees PhD candidate Lucy Barnhouse undertake a medievalist’s version of the Grand Tour, presenting papers at the International Medieval Congress in Leeds, at Canterbury, and in Paris. Lucy reports:
“Leeds felt like something of a marathon on its own, and I was glad of the company of fellow Fordhamites Esther Cuenca and Louisa Foroughi. From our shared apartment we struck out for long but productive days of conferencing. Besides specialized panels galore, we got to enjoy medieval-inspired street food. It made good fortification for a series of panels on the social identities of medieval lepers.
From Leeds, I went directly to Canterbury, where the conference of the Society for the Social History of Medicine was hosted. The conference organizers gave us the chance to tour local sites of interest. Having predictably chosen to visit the pilgrim hospital of Eastbridge, I and some other medievalists proceeded on a self-guided tour of more of Canterbury’s historical architecture. After the conference—at which I presented alongside historians of the antebellum American South and twentieth-century England on the shared theme of hospitals in urban communities—I hiked out to Harbledown to see the twelfth-century leper hospital.
The last stop on the Grand Tour was Paris, where I attended my first meeting of the Society for the History of Authorship, Reading, and Publishing. I got to spend time with Alisa Beer, to meet new scholars, and to hear many interesting papers. Conference delegates also got free admission to the exhibits at the Bibliothèque Nationale, where we were hosted. Paris being Paris, I also consumed a truly alarming quantity of delicious pastries, and the conference wine-and-cheese reception was a gastronomic tour-de-force. Arguably more important was the fact that I got lots of encouragement to develop the paper I presented for a possible postdoc project. Now it’s back to the considerably less glamorous work of editing the dissertation!”
Thanks Lucy! And to all those Fordham historians on their summer adventures: keep those postcards coming!
Within the canons of art history, rings are often relegated to second-class status. Nineteenth-century art historians, for example, were more likely to regard pieces of jewelry as consumer objects than as products of imaginative artistry on par with sculptures or oil paintings. But since May, the Cloisters have sought to redress this imbalance by highlighting the role rings have played as signifiers of social identity from antiquity to the Renaissance in their exhibit entitled “Treasures and Talismans: Rings from the Griffin Collection.” Last Friday, Fordham Medieval Studies alumnus Scott Miller, who co-authored the exhibition’s catalog, Take This Ring: Medieval and Renaissance Rings from the Griffin Collection, led visitors from Fordham on a tour to explain how rings acquired meaning and worked to construct their bearers’ identities.
The late Byzantine and early medieval rings featured in the exhibit afforded Miller the opportunity to explore how anthropological studies throw light on the work of art history. Historians have searched for explanations, for example, for the transition from the smoothness and relative simplicity that characterized antique rings to the almost “neurotic” quality produced by the geometric and architectural designs from late antiquity. Miller described how British anthropologist Alfred Gell’s ideas concerning magic as a “technology of enchantment” have helped historians to theorize what factors might have been at work in this particular shift. Miller placed the collection’s elaborate late antique rings in the context of the Byzantine court of the tenth century as described by Liutprand of Cremona, who, during his audience with the emperor, observed mechanical singing birds, stomping lions, and levitating thrones. The highly wrought rings of late antique nobles may have been worn with the intent to dazzle and bewilder delegates like Liutprand.
Another group of rings, the diamond giardinetti, demonstrate the importance of provenance in understanding the social roles that rings played. Miller noted that without knowledge of the rings’ background and only their design and materials, a historian would likely judge these fashionable rings to have belonged to courtiers or aristocrats. But the rings’ provenance identifies them as having been donated to a Spanish convent as “dowries” by novices’ families at the time of their entry into the convent. Historians, suggests Miller, have to be wary of ascribing social significance to an artifact based on its design alone. New practices and individual innovations can twist existing conventions to bestow meaning in new and unexpected ways.
To further illustrate his point, Miller turned to Fordham’s own Nina Rowe to ask about her wedding band. While the ring had been invested with great meaning by its bearer, Professor Rowe showed visitors that the band was in fact an inexpensive mood ring, one which had to be replaced so often that she orders them in bulk. “There’s a place in Alaska that sells them for cheap,” she said.
By Andew O’Sullivan
Since graduating Fordham University’s program in Medieval Studies in 2012, Scott Miller has been pursuing a PhD in art history at Northwestern University. His research specializes in the courtly arts and culture of Valois France and Burgundy, particularly the architecture and landscapes of great royal houses. Over the past three years, he has presented on these topics in the June 2014 “Buildings and the Body” conference in Southampton, England and at the International Congress on Medieval Studies at Kalamazoo, Michigan in May 2015. His dissertation project approaches four major Valois châteaux: the Louvre, Vincennes, Hesdin, and Germolles, and seeks to uncover how moments of social performance and intervention into domestic architecture transformed buildings, gardens, and landscape into crucibles of elite identity and political power formation.
In spring 2015, Scott presented his first publication, Take this Ring: Medieval and Renaissance Rings from the Griffin Collection. Co-authored with Sandra Hindman, professor emerita in Art History at Northwestern University and owner of Les Enluminures, this book accompanies the exhibition Treasures and Talismans: Rings from the Griffin Collection at the Cloisters Collection. “In this volume,” Scott states, “we chose not to cut close to the tradition catalog format. Rather, we treated the rings in this distinguished private collection thematically. Seeking to tell the story of the “life cycle” of the ring, we presented a history that followed them from the mines to the archaeological context, and through a human world in which they acted as symbols, talismans, and even social agents.”